Errors rule the world. Life probably started because of a divine error. Errors in DNA replication make it go on. Errors are also what makes music alive and carries its emotional essense. Viva infinite errors!

"Infinite Error" is the name of the anonymous electronic music project that has just released its debut album "Plagued by Meaning". Here's what the mind (or minds) behind the record has (or have) to say about it: "This album is not unlike a house that's been lived in for many years - a house that's been stained by the humanity of the one inhabiting it." Intriguing! So, without further ado, let's step inside the haunted house.

The first track is eponymous. It's dark and cinematic, with fat dissonant layers of eerie strings creating an atmosphere that will haunt your senses long after the music fades.

"In Lust" is less dense, with textures reminiscent of NIN leaving a lot of room for the vocals to breathe. The dramatic strings are also present, but they take a step back from the spotlight.

"King Eater" is rich with textural layers that keep shapeshifting, dissolving and then reappearing from the void like many-faced ghosts. The mood is best captured by the line from lyrics: "At the foot of empty, I yearn for perfection."

"Birds Calling It Quits" with its transaprent piano, resonant buzzing tones and relaxing guitar arpeggios set the scene for the moody and introspective vocals uttering the bitter words: "What's the point of love in the age of the beast?" The melancholic character of the track would appeal to fans of classic Radiohead albums.

"Belatedness" features a drum part that begs for a catchy bass or guitar riff, but the textural frenzy that we are served instead does its job even more effectively! And, besides that, it sounds like nothing else we've heard before!

"Puerile" kicks in with a noise that feels like headache, tinnitus and low blood pressure combined. And then we finally get a bass riff that kicks ass! And more textures! This song is the darkest sort of carnival, and it will get you hooked.

Pre-album single "Derealizing" is probably the most memorable piece on the record. The exhausted character of the vocals speaks right to the heart, and the melodies are immensely satisfying.

"Little Devils" expertly joggles bubbly pulsating textures, buzzy synths and harp-like organic noises to paint a terrifying picture of an apocalypse, both global and personal: "The planets are aligning, the gates of Heaven open, but you are not welcome."

"Causing You Worry" brings us back to square one, marrying the murky piano and sombre vocals with the head-spinning strings introduced on the opening track.

“Plagued by Meaning” isn’t just an album—it’s an immersive, multi-dimensional experience that refuses to settle into a single interpretation. Infinite Error crafts a world where raw emotion collides with intricate sound design, producing something both deeply personal and eerily universal. Each track feels like a transmission from a fractured future, where human longing echoes through vast, mechanical landscapes.

Rather than merely exploring technology’s impact on identity (as noted by other reviewers), the album pulses with something more primal—an urgent, almost mythic search for meaning amid chaos. The production masterfully balances precision with unpredictability, layering dense, dissonant textures against moments of haunting beauty. Infinite Error understands that the most affecting electronic music isn’t just heard—it’s felt, and here, every distorted synth and ghostly melody seems to tremble with existential weight.

What makes “Plagued by Meaning” so compelling is its ability to shapeshift with each listen. One moment, it feels like a warning; the next, a lament; and at times, even an exorcism. It doesn’t just examine the modern world—it plunges into its depths, pulling back sonic relics that feel both alien and intimately familiar. Few albums manage to challenge, unsettle, and captivate in equal measure, but Infinite Error accomplishes exactly that, leaving behind something unforgettable.